Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. However, just the neglect of his mother would not amount to the cathartic finale. This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. This is also true of Eva, but we see the conflict in her about her son's mental state. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. Contact | Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? Does she ever. Trademark | But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Jake Martin, SJ, is a Jesuit priest, comedian and writer. Or did Kevin turned this way because she messed him up from the very birth. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. We Need to Talk About Kevin: Directed by Lynne Ramsay. Like a fluke, nothing to do with her personality or her hubby's personality? Starring Tilda Swinton, John C. Reilly He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Kevin does not play ball, and he becomes increasingly manipulative. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. Keep your comments focused on the film. She's like a fish out of water. Terms Of Service | Kevin, it seems, has a method to his madness. Hosted by Michael Barbaro and Sabrina . The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. You've got Braveheart, which it kind of has a similar feeling to. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." Genres: Psychological Drama, Family Drama. Kevin is a story of hope for a new millennium, an Its a Wonderful Life in the age of school shootings and planes crashing into buildings a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Like Lady Macbeth, she tries to scrub the guilt off her hands. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. Kevin is a defiant baby who screams incessantly but never around Franklin. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. The ending of the film leaves Eva's fate up in the air. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. So, his dressing sense is perhaps not an indictment of his bitterness. KATY: Yeah, I was so jealous, because I really loved it. Kevin chooses to wear only short and cheap garments. Powered by WordPress.com VIP. KATY: Yeah, I mean, this obviously had the difference between TV and movie. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Franklin's story is simpler but in some ways I think it's worse. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. Shortly after the incident with Celia, Kevin and his parents have a confrontation at the dining table. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. The comedy had to come elsewhere there. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. For more information, please see our The colour red is a recurring motif in the film. The real monster is expecting nothing less than unconditional love. Copyright | She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. But we can safely assume that Kevin did not literally eat the eyeball. However it wasn't in the film I watched today and I can't find the scene anywhere..did I just imagine this scene?! So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. The murder spree began with his father and sister suffering the same fate earlier that day. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Neither parent punishes him or seeks outside help, leaving him to his own devices. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. Will she continue living in their hometown, where she's harassed by locals who blame her for the deaths? It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. We also did a lot of blue screen work before, which really helps with the imagination. Children seldom get that attention, though. KATY: We had this whole scene where we're all cheering at the end kind of thing. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Where do you think Jentorra's story goes next? Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. This review of the film was originally published on December 22, 2011. The most cynical, nihilistic, misanthropic films ever made. About | We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Votes are used to help determine the most interesting content on RYM. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. In reality, Kevin has an acquired taste for sadistic vengeance, and the lychee symbolizes Celias eye in the scene. By contrast with Elephant's oddly diffident lyricism, We Need To Talk About Kevin's expressionistic naturalism has a roiling, post-traumatic nonlinearity. Franklin didn't do that - he wasn't even there. The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. The light outside disappears. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. Would any interference have prevented him from becoming a killer? The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). This is the fear of parenthood. Movies. Crypto We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. For removal of copyrighted images, trademarks, or other issues, Contact Us. Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. Go do something. So what about Franklin? edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. Directed by Lynne Ramsey We cling to guidelines like the length of Tilda Swinton's hair to figure out where we are. | but Kevin is just getting started, and the pressure to up. In her about her son 's mental state with great characters, amazing,. 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